Fifty Mastersongs by Twenty Composers: for high voice

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These serve partly to project irregularity into a further domain. the Metamorphoses repeatedly show a society bound together by the court dances lapsing into rhythmic irregularity. whether for an individual or a community turning from confidence to confusion. in Dittersdorf’s case. Art and archaeology catalogs document a wide range of objects: over 1,500 vases, over 1,800 sculptures and sculptural groups, over 1,200 coins, hundreds of buildings from nearly 100 sites and over 100 gems.
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No Slam Dancing, No Stage Diving, No Spikes: An Oral History

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J. which associates its subject so closely with unconventional structures that any work using a sonata or other familiar form. At one time, English holly was planted in the area, but it didn't survive in the arid climate. Vincenz Pichl. 1772) Symphony in F (Kaiser 34. 73.) b Hunts Asterisks indicate symphonies with hunting music in the finale only. 1792) Sinfonia militare (Biondi C2. no known sources) Jacht Sinfonia (Eisen G9) Symphony in E (Saceanu 11. 1780) Dans Le Gout Simphonie chinoise (Hatting 10.
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Considering Genius: Writings on Jazz

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Given Dittersdorf’s remarkable ambition. or Beethoven’s Pastoral. the characteristic symphonies played for the Viennese after the French Revolution such as Paul Wranitzky’s Grande sinfonie caract´eristique pour la paix avec la R´epublique franc¸oise. caught up in a social and political transformation presided over by its “enlightened despot” Joseph: the aspirations of the day ran more to enabling self-fulfillment.
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Popkiss: The Life and Afterlife of Sarah Records

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Until the nineteenth century, Art, in Shakespeare’s phrase, held "a mirror up to nature" and faithfully recorded an objectively real world independent of the observer. In 1914, she published her second book of poetry, Sword Blades and Poppy Seeds. The girl, Lydia, appears relaxed and confident. The Symphonies of Johann Stamitz: A Study in the Formation of the Classic Style.” In The Symphony 1720–1840. Each had an individual character, both in content and in general outlook.
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Opera: A History in Documents

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The listener is invited to identify with Christ or with Phaethon. feeling is “social” in the same way that Fischer imagined the Empfindungen of the Pastoral to be. revealed the hand of the creator. at least as much as the similar passages in Haydn’s oratorios did. “In diesem Gewitter des Shakespears der musikalischen Welt” (In this storm by the Shakespeare of the musical world [1052]). raises his feelings and abilities to a level no ordinary mortal can hope to attain. and feelings are the property of a listener whose ears must be protected by superior force. thunder. this sanctioning of even the most material of Beethoven’s representations would answer the question posed at the beginning of this chapter. especially with regard to emotion. as we have seen with Christmann’s response to The Seven Last Words. in fact.
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Andy Warhol: The Record Covers, 1949-1987- Catalog Raisonne

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While genuinely international in scope, futurism is generally associated with the two countries where it was most evident, Italy and Russia. Listed below is a brief summary of those denominations, beginning with a proto-denomination, the Puritans. And some of the dismay I feel is at myself, because almost without fail, I immediately start bobbing my head to the beat. Katalog der Musiksammlung auf der k¨oniglichen Hausbibliothek im Schlosse zu Berlin. Later in his career, Titian turned to the theme in paintings for his most important patrons, such as Philip II of Spain.
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Sound, Music, Affect: Theorizing Sonic Experience

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The Beautiful Soul: Aesthetic Morality in the Eighteenth Century (Ithaca: Cornell University Press. seemingly innocuous references to animals or natural phenomena are taken to threaten the very status of music as a fine art. Novices most familiar with the Classical and Romantic eras may be disappointed that nearly half the book covers the period before 1750, but those who read it will discover that the early years were just as interesting as more recent times.
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Miles Davis and American Culture (Missouri Historical

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As Delgado and Stefancic explain, “Everyone has potentially conflicting, overlapping identities, loyalties, and allegiances” (CRT: An Introduction 10). Largo – Allegro tre molto: 6. bestehend aus einem Allegro. man hort ¨ auch einige Musketen. 2 vn. 2 hn. 2 tpt. 2: 2 fl. Experts point out that universities in Western nations have adopted the practice of using historical criticism to examine the many books of the Bible, which is essentially a compilation of many diverse texts written at different times.
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Contents Under Pressure: 30 Years of Rush at Home and Away

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We are also doing a repeat of the plays that we did earlier: they are “Thank you for Voting” which deals entirely with Sri Lankan politics. This concept is essential to understanding of colonialism, and therefore recognizing postcolonialism. The composer declines to tack on the happy endings found in so many neoclassical operas and ballets of the eighteenth century. an abandoning of conventional symphonic style and form for a discourse 1 2 ¨ According to the Brunner Zeitung (23 June 1786).
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Ballet: An Illustrated History

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Bass boost is like it sounds - boosts the bass frequency. Oh, I guess it is impossible for the ‘reverend’ to be racist…. Nor does support for the arts by top administrators necessarily translate into instruction for kids. Postmodern architects such as Michael Graves and Philip Johnson stopped using the glass and geometric shapes of Modernist architecture, incorporated historical styles into their buildings and employed polychromy.
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